La sociocritique d’Edmond Cros

American Films of the Thirties - The case of Howard Hawks’s - I-Scarface e

I- Toward a Semiological Reading of Film
Study of Sequences
SCARFACE (dialogue and shooting script)* Street scene at night Medium close-up of the globe of a lighted lamp-post, in a low-angle shot; beneath the globe, a sign indicating “22nd Street.” The camera moves back, and a horse-drawn deliv-ery van comes into view, stopped in a dark, deserted street; then the camera goes around the vehicle. Next we see that the delivery van is stopped in front of a nightclub with its windows still lit (...)

Derniers articles